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Project History
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Hawkins Game trailer.[2012] this was a
spot for E3
·
Transferred game models into Maya, applied
lighting and texturing in Vray.
Toyota Commercial.[2012] 60/30 second
spot for Rogues Gallery.
·
Lighting and Texturing of car and some
environment.
Frankenstein 3d ride
film.[2011-2012]
·
This was a project for Hollow 4d that
involved modeling, Lighting, Texturing and Animation as well as some
compositing.
Aston Martin Commercial. [2012] 60 second
spot. Client: Gentleman Scholar.
·
Lighting and texturing of city night
sequence and desert sequence.
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Expedia
Commercial. [2011] 30 second spot. Client: Motion
Theory/Mirada
·
Texture
and Lighting.
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Absolute
Vodka Commercial. [2011] 30 second
spot. Client: Motion Theory/ Mirada
·
Texturing
and Lighting
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Prehistoric Assassins. [2010] Discovery Channel. Client: Workaholics
Productions. CGI heavy 1hr. documentary which focused on prehistoric sea
creatures. Producer: Workaholics Prod.
·
VFX
supervisor and CGI project manager. ·
Managed
a team of five animators producing approximately 200 shots ·
Project
CGI budget management. ·
Shot
assignment and job coordination. ·
Artistic
Duties included character rigging and animation, modeling, texturing,
lighting and rendering for the Elasmosaurus
sequence. |
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Creatures Inside Us.[2010] Discovery Science. Client: Workaholics Productions.
CGI heavy 1 hr. documentary focusing on the role that bacterium plays in the
human body.
·
CGI
project manager and animation supervisor. ·
Managed
a team of 6 animators. ·
CGI
budget management. ·
Shot
management and assignment. · Also contributed cg animation and artistic services. Cosmic Collisions. [2009] Discovery Channel. Client: Workaholics
Productions. 1 hour Science documentary focusing on galactic collisions and
other space impacts.
·
CGI
project manager and animation supervisor. ·
Supervised
a 4 man team of animators. · Also contributed cg animation and artistic services. |
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Predators of the Past. [2009] History Channel. Client: Workaholics
Productions. 1 hour documentary about prehistoric creatures.
·
CGI
project manager and animation supervisor. ·
Supervised
a 3 man team of animators. · Also contributed cg animation and artistic services. Prehistoric Monsters Revealed.
[2008] A&E
television networks. Client: Workaholics Productions. 1 hour documentary
about prehistoric creatures.
·
CGI
project manager and animation supervisor. ·
Supervised
a 4 man team of animators. · Also contributed cg animation and artistic services. Beyond the Big Bang. [2007] History Channel. Client: Workaholics
Productions. 1 hour documentary regarding the creation of the universe.
·
CGI
project manager and animation supervisor. ·
Supervised
a 6 man team of animators. · Also contributed cg animation and artistic services. Comets, Prophets of Doom. [2006] History Channel. Client: Workaholics
Productions. 1 hour science documentary about comets.
·
CGI
project manager and animation supervisor. ·
Supervised
a 4 man team of animators. · Also contributed cg animation and artistic services. UFO Files, Alien Engineering. 2
parts [2006] History
Channel. Client: Workaholics Productions. 1 hour documentary regarding ufo technology.
·
CGI
project manager and animation supervisor. ·
Supervised
a 3 man team of animators. · Also contributed cg animation and artistic services. Meteors: Fire in the Sky. [2005] History Channel. Client: Workaholics Productions.
1 hour documentary outlining the science of meteors.
·
CGI
project manager and animation supervisor. ·
Supervised
a 4 man team of animators. · Also contributed cg animation and artistic services. |
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The Day the Earth Stood
Still,[2008] 20th
Century Fox. Vfx: Flash Filmworks
·
Animator.
Helicopter sequence Lighting test |
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The Guardian, [2006] Touchstone Pictures. Vfx: Flash Filmworks
·
Animator,
Texture artist and model modifications for cargo ship |
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The Pacific,[2010] Touchstone Pictures. Vfx: Flash Filmworks
·
Animator,
Modeler, Texture artist and Lighting for many battle scenes. ·
Received
an Emmy. |
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All About Steve, [2009] Fox 2000
Pictures
·
Vfx
artist. Worked on several shots for a tornado sequence. These shots required
hard body dynamics as well as wind dynamics. |
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Ghosts of the Abyss |
James
Cameron’s 3D Titanic documentary for IMAX |
As
animation supervisor, I worked directly with Jim to help develop techniques for
converting 2D to 3D, along with 3d animation. |
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Aliens of the Deep |
James Cameron’s 3D
deep sea exploration documentary for IMAX |
Modeling
work mostly |
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The Pacific |
HBO
series |
I
received a group Emmy for my work in effects, modeling & animation. |
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Chrysler
Commercial |
Digital Domain |
I was a member of the Lighting and
Texturing team. |
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Nascar Commercial |
Digital Domain |
I was a member of the Lighting and
Texturing team. |
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Kenmore
Commercial |
Digital Domain |
I was a member of the Modeling and
Texturing team. |
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Idiocracy |
Motion picture by
Mike Judge |
Environment modeling |
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Nascar Racers |
Saban Entertainment Cartoon |
Supervised Animation
Crew. Some animation |
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UFO hunters |
History Channel-The
Phoenix lights episode |
On screen appearance as a digital
artist recreating and analyzing ufo sighting. |
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My
primary software toolsets are, in order of proficiency:
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